Specify the exact time of the change in minutes and seconds. This reduces misunderstandings and helps complete revisions faster.
Good example: "At the beginning of the first verse (02:35), the background vocals could be more prominent."
If you want a specific track adjusted, refer to it by its original file name.
Example: "In the intro, increase the volume of the track ‘Violins 1 Core.’"
Be clear and avoid vague descriptive terms. Below is an example of effective and ineffective feedback:
Good example: "At the start of the chorus (01:30), increase the guitars and background vocals so the chorus stands out more. The bass could also use a bit more low-end."
Bad example: "The chorus doesn’t feel ‘alive’ enough. The bass needs more ‘warmth’ and ‘softness.’"
If you find it difficult to describe the changes, reference tracks are a great way to communicate what you are looking for.
Example: "In the intro, the drums could have the same type of massive reverb as in Phil Collins’ In The Air Tonight."
If you are in a band where multiple members provide input, first discuss as a group what you want from the mix. The band leader should then compile the feedback into a single text file. Often, different members focus on their own instruments, leading to conflicting feedback.
Listen to the mix on the device you usually use for music. (For example, your own headphones or in-ear monitors.) Headphones are generally a better choice for assessing the mix’s low-end and brightness compared to speakers in an untreated room.
The sooner I receive your feedback, the sooner the mix will be finalized. Ideally, feedback should be sent within two days of receiving the first mix version.
